Last night I listened to an interesting new ambient music CD called Tonight of the Living Dead by 400 Lonely Things. Described in their one-sheet as “a collage of treated audio” from George Romero’s Night of the Living Dead, Tonight of the Living Dead is an eerie and moody meditation on the original film.
I am not a big consumer of ambient or experimental music, so I’ll describe what I heard on the CD in the plainest terms possible. Tonight of the Living Dead is quiet, scary music–a little like the score to a horror film. There are some samples from the film, but mostly the album seemed to be strings and keyboard effects. Now and then the music swells to something edging toward the climax of a horror-film, but other times it crests so low and subtle that you almost forget it’s there. The overall effect can be quite enjoyable and scary, if you’re patient with it.
As I listened to Tonight of the Living Dead, I was reminded of the scary sequences in David Lynch’s Inland Empire where Laura Dern is walking around dark hallways by herself for like half an hour. Yet unlike in Inland Empire–in which Lynch resorts to several cheap, jump-out-and-scare-you tricks–the mood evoked in Tonight of the Living Dead remains consistent throughout. (There are no loud, sudden orchestra-hits calculated to make you jump. Instead, Tonight of the Living Dead seeks to lull you into a pervading, quiet terror.)
I also want to note that the CD booklet contains some really cool zombie (or zombie-like) images. They may be stills from the film that have been digitally manipulated, or they may be entirely original artwork. (I can’t tell.) The point is, they’re pretty cool.
So, if you like ambient music and zombies, then Tonight of the Living Dead is probably a must-own. I’m not an ambient music fan, but I thought it was pretty neat. You can buy your own copy here.
Okay, so this post is not about zombies. (But what’s the point of having a blog if you can’t write about your favorite band releasing a new record!?!)
A week ago, my favorite band, Rancid, released Let the Dominoes Fall, their first album in six years. I’ve been listening to it pretty constantly since last Tuesday, and am utterly delighted with it.
I’m a drummer, so I’ll start with the drums: It’s the band’s first album with new drummer Brendan Steinckert, whom I saw play on Rancid’s last tour. I thought he was a good drummer, but I didn’t know how he would be at composing original drum parts. A cynical part of me thought maybe Rancid just picked him because he had big arm muscles. (I once wrote an article for a music magazine in which I noted that drummers with the fastest hands tend to be either stick-thin or on the chubby side, but not bodybuilders/weightlifters. The article just made drummers want to kill me.) But any fears I harbored about how Steinckert might change the band’s sound were completely allayed by Let the Dominoes Fall. His drumming is talented and tasteful, and he knows when to pull-back on softer numbers. His tendency to put a crash cymbal on the 4 at the end of a bar (instead of the 1 of the next bar) puts me in mind of Brett Reed (Rancid’s previous drummer) and also the great Topper Headon.
The songs themselves are awesome, and seem a natural extension of the band’s previous record, Indestructible. The single “Last One to Die” is just delightful. It’s the kind of a song that will make you want to join a band. August Brown, writing in the L.A. Times called the song: “Rancid’s equivalent of a rap veteran’s boast track.” This description may be technically accurate, but it is hardly sufficient. The wonderful lyrics go beyond merely listing the band’s accomplishments; they make a case that it is the band’s dedication to authenticity and friendship that has allowed it to succeed over the years while so many others have failed.
Another highlight for me is the album’s most downtempo track, “Civilian Ways”, about a soldier trying to adjust to coming home from Iraq. It’s similar to “Arrested in Shanghai” (a song about a political prisoner, off of Indestructible) in that its effectiveness comes from Tim Armstrong’s “non-traditional” vocal style. The lyrics are all the more moving and authentic-feeling because they are NOT rendered with the saccharine choir-boy voice of an American Idol contestant, but with the garbled, slurred grit of the spittle-throated Armstrong. When Armstrong sings the song like he does, it is somehow “more real.” (It makes me think of a reading/lecture I heard Derek Walcott give around 2003 where he read this poem about a non-native English speaker who attempted to name his boat “In God We Trust” but instead wrote “In God We Troust.” According to Wolcott, the imperfect rendering “Troust” comported more meaning and emotion and insight than the correctly-spelled “Trust” could have. I think about that Walcott lecture whenever I think about Tim Armstrong’s singing-style.)
Anyhow, I just can’t say enough good things about this record. Here’s the video for “Last One to Die”:
ZombieTargets.net is a website where you can buy firing-range targets that look like zombies. They’re just $2.50! (If you’re like me and you live in Chicago–where just about every type of firearm is banned–you could still buy one to put on your wall. [They look really cool] Or maybe you could take it out to the yard and just throw rocks at it or something. That might be fun too.)
While flying the other day, I espied this cool zombie lawn ornament in the SkyMall in the seat in front of mine. Today I found it again online. Only $90. I would totally buy one if I had more of a yard. Click here to get your own.
Here’s a neat article featuring an interview with Matt Mogk of the Zombie Research Society from Wilamette Week, a news outlet based in Portland, Oregon. (I serve on the Advisory Board of the Zombie Research Society.)